Проект осуществляется при поддержке Российского гуманитарного научного фонда (РГНФ, грант № 11-04-12064в).

О проекте Новости Современники
Шекспира		 Переводчики
и переводы		 Публикации Спектакли и фильмы
Главная Современники Шекспира МАРСТОН Джон Джон Марстон. Библиография
Система Orphus

Джон Марстон. Библиография

Сочинения

  • Недовольный / пер. В. С. Макарова. М. : БД «Современники Шекспира», 2013.
  • Chapman G., Jonson B., Marston J. Eastward Ho! / ed. by R. Van Fossen. Manchester : Manchester University Press, 1999.
  • John Marston’s The Wonder of Women, or The tragedy of Sophonisba : a critical edition / ed. by William Kemp. New York : Garland, 1979. 191 p.
  • Marston J. and others [Barksted W., Machin L.] The Insatiate Countess / ed. by Giorgio Melchiori. Manchester : ; Dover, N.H. : Manchester University Press, 1984. xvi, 205 p.
  • Marston J. Antonio and Mellida: John Marston / ed. by ‎ W. Reavley Gair. Manchester ; New York, NY : Manchester University Press, 2005. 194 p.
  • Marston J. Antonio’s Revenge: John Marston / ed. by ‎W. Reavley Gair. Manchester : Manchester University Press ; New York, NY : Distributed exclusively in the USA by St. Martin's Press, 1999. XIV, 178 p.
  • Marston J. Parasitaster: Or, The Fawn / ed. by David A. Blostein. Manchester : Manchester University Press, 1978. 264 p.
  • Marston J. The Dutch Courtesan /ed. by David Crane. A&C Black, 1997. 144 p.
  • Marston J. The Malcontent / ed. by George K. Hunter. Manchester : Manchester University Press, 2000. v, 131 p
  • Marston J. The Poems of John Marston / ed. by Arnold Davenport. Liverpool University Press, 1961.
  • The Selected Plays of John Marston / ed. by MacDonald P. Jackson and Michael Neill. Cambridge ; New York :: Cambridge University Press, 1986. xxxv, 535 p.
  • The Works of John Marston : 3 vols./ ed. by Henry Bullen. London : J.C. Nimmo, 1887. (vol. 1) (vol. 2) (vol. 3).

Литература

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  • Елистратова А. А. Марстон // История английской литературы. Т. I, вып. II. М., 1945.
  • Летуновська І. В. Фенікс і голуб в поезії Дж. Марстона, Б. Джонсона, Р. Честера: порівняльна типологія // Літературознавчі студії. 2011. Вип. 31. C. 238–244.
  • Микеладзе Н. Э. Преобразование сюжета мести в «Гамлете» [Электронный ресурс] // Медиальманах. 2010. № 4. URL: http://www.mediascope.ru/node/676
  • Хаустова Д. О. Начальный период развития жанра трагедии кровавой мести в английском театре эпохи Возрождения: трагедии Томаса Кида и его последователей // Исторические, философские, политические и юридические науки, культурология и искусствоведение. Вопросы теории и практики. 2011. № 3 (9) : в 3-х ч. Ч. II. C. 218–224.
  • Хаустова Д. О. Становление жанра английской трагедии кровавой мести на рубеже XVI–XVII веков // Материалы Международной научно-практической конференции конференция «Традиционная и современная культура: история, актуальное положение, перспективы». Пенза, 2011. С. 119–123.
  • Хаустова Д. О. Эволюция жанра кровавой трагедии мести в английском театре эпохи Возрождения : дисс. … канд. искусствоведения. М., 2012.
  • Чекалов И. И. Перцептивная аберрация у шекспировского Ромео и марстоновского Антонио [Электронный ресурс] // Горизонты гуманитарного знания. 2020. № 6. С. 32–42. URL: https://journals.mosgu.ru/ggz/article/view/1315 (дата обращения: дд.мм.гггг). DOI: 10.17805/ggz.2020.6.3
  • Aggeler G. D. Stoicism and Revenge in Marston // English Studies. 1970. Vol. 51. No. 6. P. 507–517.
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  • Baines B. J. Antonio’s Revenge: Marston’s Play on Revenge Plays // Studies in English Literature, 1500–1900. 1983. Vol. 23. No. 2. P. 277–294.
  • Bednarz, James P. Shakespeare and the Poets’ War. N. Y. : Columbia University Press, 2001. x, 334 p.
  • Bednarz, James P. Writing and Revenge: John Marston’s “Histriomastix” // Comparative Drama. 2002. Vol. 36. No. 1/2. P. 21–51.
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  • Bergson A. The Ironic Tragedies of Marston and Chapman: Notes on Jacobean Tragic Form // The Journal of English and Germanic Philology. 1970. Vol. 69. No. 4. P. 613–630.
  • Berland E. The Function of Irony in Marston’s “Antonio and Mellida” // Studies in Philology. 1969. Vol. 66. No. 5. P. 739–755.
  • Blake A. “The Humour of Children”: John Marston’s Plays in the Private Theatres // The Review of English Studies. 1987. Vol. 38. No. 152. P. 471–482.
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  • Brettle R. E. Marston Born in Oxfordshire // The Modern Language Review. 1927. P. 317–319.
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  • Cousins A. D. The Protean Nature of Man in Marston’s Verse Satires // The Journal of English and Germanic Philology. 1980. Vol. 79. No. 4. P. 517–529.
  • Covatta A. A Marston-Middleton Parallel: New Light on the Growth of City Comedy // Notes and Queries. 1973. Vol. 20. No. 12. P. 459–460.
  • Cross G. Marston, Montaigne, and Morality: The Dutch Courtezan Reconsidered // ELH. 1960. Vol. 27. No. 1. P. 30–43.
  • Cross G. The Date of Marston’s Antonio and Mellida // Modern Language Notes. 1957. Vol. 72. No. 5. P. 328–332.
  • Davenport A. Some Notes on References to Joseph Hall in Marston’s Satires // The Review of English Studies. 1933. Vol. 9. No. 34. P. 192–196.
  • Eidson J. O. Senecan Elements in Marston’s Antonio and Mellida // Modern Language Notes. 1937. Vol. 52. No. 3. P. 196–197.
  • Finkelpearl P. J. From Petrarch to Ovid: Metamorphoses in John Marston’s Metamorphosis of Pigmalions Image // ELH. 1965. Vol. 32. No. 3. P. 333–348.
  • Finkelpearl P. J. John Marston of the Middle Temple: An Elizabethan Dramatist in His Social Setting. Cambridge : Harvard University Press, 1969.
  • Finkelpearl P. J. John Marston’s “Histrio-Mastix” as an Inns of Court Play: A Hypothesis // Huntington Library Quarterly. 1966. Vol. 29. No. 3. P. 223–234.
  • Finkelpearl P. J. The Use of the Middle Temple’s Christmas Revels in Marston’s “The Fawne” // Studies in Philology. 1967. Vol. 64. No. 2. P. 199–209.
  • Fleck A. The Custom of Courtesans and John Marston’s The Dutch Courtesan // ANQ: A Quarterly Journal of Short Articles, Notes and Reviews. 2008. Vol. 21. No. 3. P. 11–19.
  • Geckle G. L. Fortune in Marston’s The Malcontent // PMLA. 1971. Vol. 86. No. 2. P. 202–209.
  • Geckle G. L. John Marston’s Drama: Themes, Images, Sources. Fairleigh Dickinson University Press, 1980. 236 p.
  • Geckle G.L. John Marston’s “Histriomastix” and the Golden Age // Comparative Drama. 1972. Vol. 6. No. 3. P. 205–222.
  • Greenwood J. The Mannerist Marston // The Modern Language Review. 1987. Vol. 82. No. 4. P. 817–829.
  • Hallett C. A., Hallett E. S. “Antonio’s Revenge” and the Integrity of the Revenge Tragedy Motifs // Studies in Philology. 1979. Vol. 76. No. 4. P. 366–386.
  • Halstead W. L. An Explanation for the Two Editions of Marston’s “Fawne” // Studies in Philology. 1943. Vol. 40. No. 1. P. 25–32.
  • Hamlin W. M. Common Customers in Marston’s “Dutch Courtesan” and Florio’s Montaigne // Studies in English Literature, 1500–1900. 2012. Vol. 52. No. 2. P. 407–424.
  • Hamlin W. M. Temporizing as Pyrrhonizing in Marston’s “The Malcontent” // Comparative Drama. 2000. Vol. 34. No. 3. P. 305–320.
  • Hardin R. F. Marston’s Kinsayder: The Dog’s Voice // Notes and Queries. 1982. Vol. 29. No. 2. P. 134–135.
  • Higgins M. The Convention of the Stoic Hero as Handled by Marston // The Modern Language Review. 1944. Vol. 39. No. 4. P. 338–346.
  • Hoensellars A. J. Reconstructing Babel in English Renaissance Drama: William Haughton's “Englishmen for My Money” and John Marston's “Antonio and Mellida” // Neophilologus. Groningen, 1992. Vol. 76. No. 3. P. 464–479.
  • Horne R. C. Voices of Alienation: The Moral Significance of Marston’s Satiric Strategy // The Modern Language Review. 1986. Vol. 81. No. 1. P. 18–33.
  • Howard J. Mastering Difference in the Dutch Courtesan // Shakespeare Studies. 1996. Vol. 24. P. 105–117.
  • Ingram R. W. John Marston. Twayne Publishers, 1978. 352 p.
  • Ingram R. W. The Use of Music in the Plays of Marston // Music & Letters. 1956. Vol. 37. No. 2. P. 154–164.
  • Jensen E. J. John Marston, Dramatist: Themes and Imagery in the Plays. Inst. f. Anglistik u. Amerikanistik, Univ. Salzburg, 1979. 166 p.
  • Jones W. R. The Bishops’ Ban of 1599 and the Ideology of English Satire // Literature Compass. 2010. Vol. 7. No. 5. P. 332–346.
  • Kaplan J. John Marston’s Fawn: A Saturnalian Satire // Studies in English Literature, 1500–1900. 1969. Vol. 9. No. 2. P. 335–350.
  • Kay W. D. Parodic Wit and Social Satire in Chapman, Jonson, and Marston’s Eastward Ho! [with illustration] // English Literary Renaissance. 2012. Vol. 42. No. 3. P. 391–424.
  • Keller J. R. Marston’s Antonio and Mellida // The Explicator. 1992. Vol. 50. No. 3. P. 136–138.
  • Kernan A. John Marston’s Play Histriomastix // Modern Language Quarterly. 1958. Vol. 19. No. 2. P. 134–140.
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  • Lanier D. Satire, Self Concealment, and Statecraft: The Game of Identity in John Marston’s “The Malcontent” // Pacific Coast Philology. 1987. Vol. 22. No. 1/2. P. 35–45.
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  • Palumbo R. J. From Melodrama to Burlesque: A Theatrical Gesture in Kyd, Shakespeare, and Marston // Theatre Survey. 1976. Vol. 17. No. 02. P. 220–223.
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  • Reiman D. H. Marston, Jonson, and the “Spanish Tragedy” Additions // Notes and Queries. 1960. Vol. 7. No. 9. P. 336–337.
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